I would also recommend listening to other fine bluegrass players: Doc Watson, Clarence White, Darol Anger, Norman Blake, Sam Bush, Vassar Clements. Rice is one of the all-time greats as far as bluegrass guitar is concerned. If you want to hear great examples of melodic continuity playing in bluegrass music have a listen to guitarist Tony Rice. ![]() Jazz guitarists call this endless stream of eighth notes melodic continuity. The hardest thing about bluegrass guitar is keeping up the relentless flow of eighth notes from one end of a solo to the other. One of the limiting factors for most guitarists when learning bluegrass guitar scales is developing right-hand speed/strength. ![]() The G minor pentatonic scale (2-octave version)īlueGrass Practice Scales: Melodic Continuity Other guitar scales commonly used in bluegrass music are the blues scale and the minor pentatonic scale. G major pentatonic 2 octaves (alternative pattern) The main primary bluegrass guitar scales are the major pentatonic, the major diatonic scale and the Mixo-Lydian mode. Except for some of the old rhythm-only players like Lester Flatt and Carter Stanley, who used a thumb pick and one fingerpick, bluegrass guitar is almost always played with a flat pick.
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